Monsters at Work
TV Series2021Returning Series

Monsters at Work

Taste attributes: animationcomedyfamilyadventuremonster/alien/supernaturalfastfresh & originalwholesomelightimaginarysimplelinearglossybig & varied

See which match your taste

"It's laughter we're after."

Boxlist takeA larger-than-life, wholesome animated series: accessible and breakneck. Best if you like the extraordinary over the everyday.

Pace: very fast · Originality: fresh · Tone: very wholesome · Weight: very light · Realism: imaginary world · Story: simple · Structure: very linear · Look: very glossy · Scale: big and varied · Emotional punch: balancedHow we score

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WeaksampleWhy this match?Show

What lines up

  • Originality: Fresh / original, just how this profile likes it

What might not click

  • Weightiness: Light / accessible, where this profile leans weighty / heavy
  • Intricacy: Basic story, where this profile leans smart / intricate

This is a sample for Hard Hitter. Take the taste test to see your own match for Monsters at Work.

Synopsis

Ever since he was a kid, Tylor Tuskmon has dreamed of becoming a Scarer just like his idol James P. Sullivan, and now that dream is about to come true... or not. The day he arrives at Monsters Incorporated to begin his dream job as a Scarer, he learns that scaring is out and laughter is in! After being reassigned to the Monsters, Inc. Facilities Team, Tylor sets his sights on a new goal: figuring out how to be funny and becoming a Jokester.

Synopsis: TMDB

Characteristics

Where this title sits on each taste spectrum

SlowPACEFast
FamiliarORIGINALITYOriginal
DarkTONEWholesome
LightWEIGHTINESSHeavy
FantasyREALISMRealistic
SimpleINTRICACYIntricate
Non-LinearLINEARITYLinear
UnderstatedSTYLEStylised
IntimateSCALEEpic
RestrainedEMOTIONIntense

Cast

Ben FeldmanMindy KalingHenry WinklerLucas NeffAlanna Ubach

Details

Genre
Animation
Year
2021
Runtime
27 min
Status
Returning Series
Studio
Disney Television Animation
Taste scores
How we score

Matched on pace, tone, themes and style, not just genre.

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