The Killing Fields
Film1984142 min

The Killing Fields

Taste attributes: dramahistorywarhistoricalbiographyjournalisticslowfresh & originalunsavouryheavyrealisticintricatelineargrittyemotive & stirringcomplex relationshiphuman spirit/resilience/survivalrescue/escape/jeopardyunderdog triumphs

See which match your taste

"Here, only the silent survive."

Boxlist takeA grounded war film that is heavy, stirring and rough-edged. Best if you like real life over fantasy.

Pace: slow · Originality: balanced · Tone: dark · Weight: very heavy · Realism: true to life · Story: balanced · Structure: linear · Look: gritty · Scale: balanced · Emotional punch: very stirringHow we score

Where to watch

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What lines up

  • Emotional punch: Emotive / stirring, just how this profile likes it
  • Pace: Slow, just how this profile likes it
  • Originality: Fresh / original, just how this profile likes it

What might not click

  • Realism: True to life, where this profile leans balanced realism

This is a sample for Hard Hitter. Take the taste test to see your own match for The Killing Fields.

Synopsis

The real-life story of a friendship between two journalists, an American and a Cambodian, during the bloody Khmer Rouge takeover of Cambodia in 1975, which led to the death of 2-3 million Cambodians during the next four years, until Pol Pot's regime was toppled by the intervening Vietnamese in 1979.

Synopsis: TMDB

Taste Attributes

complex relationshiphuman spirit/resilience/survivalrescue/escape/jeopardyunderdog triumphs

Characteristics

Where this title sits on each taste spectrum

SlowPACEFast
FamiliarORIGINALITYOriginal
DarkTONEWholesome
LightWEIGHTINESSHeavy
FantasyREALISMRealistic
SimpleINTRICACYIntricate
Non-LinearLINEARITYLinear
UnderstatedSTYLEStylised
IntimateSCALEEpic
RestrainedEMOTIONIntense

Cast

Sam WaterstonHaing S. NgorCraig T. NelsonJohn MalkovichAthol Fugard

Details

Genre
Drama
Year
1984
Runtime
142 min
Status
Released
Studio
Enigma Productions
Taste scores
How we score

Matched on pace, tone, themes and style, not just genre.

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