F for Fake
Film197389 min

F for Fake

Taste attributes: documentaryslowfresh & originalheavyrealisticintricateglossyenclosedsocial commentarysolving the riddle/not as it seems

See which match your taste

Boxlist takeExpect a realistic, slow-paced documentary, fresh rather than familiar. Best if you like patience over pace.

Pace: very slow · Originality: fresh · Tone: balanced · Weight: heavy · Realism: true to life · Story: balanced · Structure: balanced · Look: balanced · Scale: confined · Emotional punch: balancedHow we score

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StrongsampleWhy this match?Show

What lines up

  • Wholesomeness: Balanced wholesomeness, just how this profile likes it
  • Weightiness: Weighty / heavy, just how this profile likes it
  • Originality: Fresh / original, just how this profile likes it

What might not click

  • Realism: True to life, where this profile leans balanced realism

This is a sample for Hard Hitter. Take the taste test to see your own match for F for Fake.

Synopsis

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.

Synopsis: TMDB

Taste Attributes

social commentarysolving the riddle/not as it seems

Characteristics

Where this title sits on each taste spectrum

SlowPACEFast
FamiliarORIGINALITYOriginal
DarkTONEWholesome
LightWEIGHTINESSHeavy
FantasyREALISMRealistic
SimpleINTRICACYIntricate
Non-LinearLINEARITYLinear
UnderstatedSTYLEStylised
IntimateSCALEEpic
RestrainedEMOTIONIntense

Cast

Orson WellesElmyr de HoryClifford IrvingOja KodarLaurence Harvey

Details

Genre
Documentary
Year
1973
Runtime
89 min
Status
Released
Studio
Janus Films
Taste scores
How we score

Matched on pace, tone, themes and style, not just genre.

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